It’s me, Adam! I’m a BAFTA winning sound designer, musician and all-round audio meddler, with over 17 years of industry experience. I’ve worked with world-renown companies and a whole host of exceptional indie developers to craft unique audio experiences for games of all sizes.
I’m drawn to projects that are full of charm, atmosphere, love or just plain weirdness and I’m here to make incredible audio for you!
BAFTA Game Awards:
Audio Achievement (Won)
Music (Won)
Performance (Won)
Develop Awards:
Audio Accomplishment (Won)
Game Developers Choice Awards:
Best Audio (Nomination)
TIGA Games Industry Awards:
TIGA Audio Design Award (Nomination)
Game Audio Network Guild Awards:
Audio Of The Year (Nomination)
Music Of The Year (Nomination)
Sound Design Of The Year (Nomination)
Best Mix (Nomination)
Best Interactive Score (Nomination)
Best Dialog (Nomination)
NAVGTR Awards:
Use of Sound (Nomination)
Sound Effects (Nomination)
Crunchy retro-modern sound design for this unique cyberpunk RPG, melding chip sounds and delightfully oldschool processed with modern sound processing techniques!
Massive, juicy weapon and magic sounds, eerie procedural ambiences and general audio wizardry for the indie turn-based, card-collecting, roguelike narrative adventure!
Sound design, implementation, music direction and additional composition for second Knowledge Is Power game.
Providing fun and tactile audio assets for Kitty Power's’ second outing!
Audio assets, implementation and music composition, involving lots of demons, high-energy noises and juicy impacts!
Sound design, composition and general audio wrangling for this massively-user-content focused project, including a variety of fun and playful instruments for the granular-synth-driven audio library!
Additional weapon sound design for this chaotic, hypnotic, multi-coloured boomer shooter.
Providing sound design, implementation and quirky music direction for the entirely new IP that helped launch Sony’s Playlink technology!
Audio assets for the VR game that puts you in the centre of a gig that’s not going quite to plan!
Audio direction, design and implementation on the unique narrative indie game, focusing on creating an immersive, detailed and emotive world to explore and inhabit. The game used procedural audio techniques to create evolving ambiences and soundscapes to adapt to the non-linear storytelling design.
With narrative being the key focus of the game, we were able to record each scene of dialogue as a small stage play on a soundstage, with the actors able to work and perform together to create emotive and heartfelt performances that can be tricky to nail in a recording booth alone!
It was an incredibly proud moment to receive the BAFTA for Audio Achievement for this project, as well as nominations and awards for the audio design across the games media.
A painstaking remaster of Dear Esther’s original voice recordings, music, along with re-imagined sound design for the landmark narrative atmospheric adventure.
Vocalisation design for a variety of cute and cuddly bears and cats, as well as music direction and playful sound design for the Kinect launch title and it’s expansion.
Sound design, music composition and implementation with a strict filesize limitation for the magical puzzle-platformer that was WiiWare’s most renown game.
Sound design, implementation, open world audio work on the Disneyland recreation for Kinect!
Sound design, implementation and music editing on one of the most well-known entries in the LEGO franchise.
Sound design, music editing, implementation and plenty of audio wrangling for the fantasy action-adventure that launched alongside the movie.
Sound design and implementation on Indy’s first LEGO outing.
Sound design and implementation, featuring lots of juicy metal impacts and physics destruction!
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